Aamir Khan's Satyamev Jayate

So I finally got to watch the first episode of Aamir Khan’s Satyamev Jayate just now. Yes, five days too late but better late than never. And now that I’ve seen it, I find myself competent to comment about it firsthand and not form an opinion based on others’ opinion of it.

It would be an understatement to say that I had seen a lot of Twitter buzz about the programme. There were lots and lots of tweets - during the programme, after the programme, people posting links of articles written right after the programme.

Most of this buzz was positive, ranging from mild enthusiasm to wild ecstasy. Many even said they finally found a reason to watch TV. A lot of the positive vibes came because people seemed to like the format and the way the whole programme was constructed.

It did seem to be extremely well-constructed. Right from the introduction of the programme and its goal, to the specific issue it was discussing, there seemed to be a sense of purpose about it.

This was not just sensationalism or random “breaking news”. This seemed to be about raising a serious issue in all its seriousness, supporting it with first-hand accounts, further supporting it with research and facts.

And, as if to drive home further the magnitude of the issue, the apathy and complicity of  the administration was also exposed.  The shocking story of doctors caught on camera discussing how to get rid of the foetus is one side of the story, the equally shocking other side is that no action has been taken against even one of these doctors (and there are 140 of them). And this, inspite of promises made by the Prime Minister of the country. And for good measure, the President too.

Every story tugged at one’s heart strings, every aspect of the programme either confirmed a suspicion or raised awareness. Yes, female foeticide is not just something that poor, uneducated people in villages do, it happens also amongst the urban, well-to-do, educated. Everybody who thinks a girl child is a curse – and this cuts across all classes of society.

Very importantly, the programme did not just stop at raising an issue. Yes, that in itself has value but it went further and tried to find solutions to the problem.  

The letter to the Rajasthan Chief Minister asking for the setting up of a Fast Track process in the cases against the doctors may appear symbolic but it could go far beyond just symbolism.  It could send out a message to indifferent and corrupt administrations across the country that a vehicle to demand change is being put in place – by the people the administration is responsible to. And this is being done in not just a peaceful manner but within the legal and democratic framework of the country.

Yes, I know I am jumping the gun here, this is just ONE letter to ONE administration – but I’d like to think this could be the start of something bigger, that this could set a chain of thought in process. This is not extra-constitutional (as far as I know) – it is just channeling of people power to demand action and change.  We all know that as individuals we feel extremely helpless in Indian society (unless you have money and/or influence, you are a nobody), but as a collective force, we may be able to bring about change. And that’s what this programme seemed to try to reinforce.

Anyway it’s very very early days yet – and it’s unfair to build such expectations from, what is essentially just a TV programme -  so I will try to keep myself grounded. And just say that at the very least, it seems to help raise awareness about an issue in a non-sensationalising and hard-hitting style. And as many have said, if this helps to save one more foetus, it would have already done good.

Fortunately I have a rather mixed bunch that I follow on Twitter, and so on most discussion items I get more than one side to the story. Just the way I like it.

I found a fair amount of criticism about the programme too. Most of the criticism could be bracketed under the following categories:


1. Yeah, so suddenly NOW we realize that we have a female foeticide issue in the country? We needed Aamir Khan to tell us that? 


2. Yeah, so you think just because Aamir Khan says this, the problem is going to get solved? How much such talk have we heard in the past and how many of those problems have been solved?


3. What? Aamir Khan’s getting 3 crore per episode (or whatever it is)?  For telling us our problems. Man, what suckers we are!


4. This female foeticide issue is an easy one for Aamir to take up. Let’s see him take up a more grey issue.


5. Star Plus may have hit a bonanza here but this is just showbiz, so let’s see it for what it is. And corporates need people’s goodwill so they will obviously align themselves with this sort of “social message” agenda.

I understand where each of these arguments is coming from - and will try to take them up one by one.

1. Yes, that female foeticide happens is not necessarily a revelation that is being brought to us only by this programme.  But I'm sure there are many who, even if they are aware it happens, must have been shocked by the numbers. And the research about it being an urban malaise too.

So let’s give the programme at least SOME credit for raising awareness – not everybody is as aware as the “intelligentsia” in this country. And yes, when Aamir Khan says it, it is more likely to be heard than just any Tom, Dick and Harry. That's the perk a celebrity has and a common man does not.

2. We, as a people, have been through (and are going through everyday) so much of credibility loss amongst institutions in the country that we’ve become a skeptical lot. We don’t trust anything or anybody anymore – not the government, not the media, not the corporates, not our celebrities.   We believe everybody has a hidden agenda. It is sad, but that is how it is. When all around you, you hear stories of scams, paid media, crony capitalism, a failed justice system  and what-have-you, you can be excused for being cynical.

I would just say, let’s for one moment put all our cynicism aside and give this programme a chance. Let’s not rubbish it before it’s even got a chance to develop roots. What’s the worst that can happen? That it becomes another farce of a programme and nothing comes out of it? Well, I sincerely hope it doesn’t go that way but if it does, surely that’s not the worst thing to happen to a TV programme.  I, for one, would still rather see this than most other stuff dished out nowadays on TV.

3. For those who talk about how much Aamir charges per episode, I have only this to say - what does it really matter? It is between him and the TV channel. It is not really our business. If we don’t like the programme, we can just switch off or switch to another channel.

4. As for those suggesting Aamir’s picked an easy issue this time, why not wait before drawing out those daggers? It’s way too early for them – let him first slip up on future issues before you thrust that dagger in. Ever heard of “benefit of doubt”?

5. And, finally, if Star Plus has hit a bonanza, so what? It’s the job of a channel to serve content to the public, sometimes it works, sometimes it doesn’t.  If this time it has worked – and just happens to be related to spreading social awareness amongst the public – surely that’s not a bad thing? I can think of programmes with far more damaging content that have been hugely successful commercially.

And if corporates support a social message initiative, hoping to garner public goodwill, so what? Surely there are worse ways for them to spend their money? 

All in all, I’m in the pro-SMJ camp at the moment. And those who know me, know that I am myself very cynical of a lot of things happening in India right now. But I’m not going to let my cynicism get the better of me on this one. Not for now at least.

So brushing aside cynics, I can only think that the only other constituency that would be against this SMJ initiative would be those with vested interests. Otherwise I can’t see people opposing this as such.

Anyway, let’s just hope there are concrete results to show on the ground for the activist steps at the end of the first episode. That will give a huge amount of credibility to the programme. I hope there will be mention of follow-up results of previous episodes, in future episodes.

One more thing. This programme needs to be localised, it needs to be done in regional languages because of the reach of regional TV. A lot of the Indian population watches only regional TV.

Looking forward to the next one. Yes, maybe finally, there IS a reason to switch on that TV.


P.S: Here's the video of the programme - episode 1 - for those who have not seen it yet, or would like to see it again.

http://www.youtube.com/watch?feature=player_embedded&v=NG3WygJmiVs

My identity

Define me not by land or faith

Or by what trade I ply

No country or town

No religion or faith

No trade or job

None I call my own

They’re all part of me

Yet none vests in me

They’ve all shaped me

Yet none defines me

The world loves groups,

Categories and classes

Works for most guys,

Is lapped up by the masses

I seek no identity

I wish for none

I’ll go without fuss

When my job’s done

But whence I come

And where I go

No man-made marks there

For me to show.

A cry in the dark!

In business, one of the long-established rules-of-thumb to retain your performing employees is to ensure that non-performers are recognized and dealt with as such.

When a non-performer is carried in an organization -  worse, when he or she is pampered or promoted – the extent of demotivation for the performing employee is often no less than if he or she had been delivered a resounding slap. It makes a mockery of the performance standards of the organization.

It is, or at least should be, no different for citizens of a country. The ability of different citizens to deliver depends no doubt on each one’s capability. But at the very least, a citizen is expected to abide by the laws of the land and not to  break them.

In India, very sadly, this is where the law-abiding citizen gets a resounding slap. The person who pays taxes is made to feel stupid by the one who dodges them. The person who commits a crime gets away comfortably while the victim is left to deal not only with the scars from the crime but also with the knowledge that the criminal is very much at large, probably laughing at the victim and the “system”.

THIS to me is THE biggest governance deficit in India.

When the citizens of the country cannot depend on their law-enforcers, whether it be the police or the justice system, for something as basic as protection of their rights – whether to life or to property or to their dignity – what can they depend on then?

When the laws of the land exist only on paper, are they worth anything more than toilet paper?  

When it is the law of the jungle that is in practice, albeit packaged in an impressive structure of a “legal framework” and a “judiciary” in a “democracy”, is is not the biggest fraud on the citizens of the country?

In my humble opinion, the answers to the above questions are “nothing”, “no” and “yes”, in that order.

Everyday we hear about crimes committed in the country. The papers are full of them, the TV is constantly blaring another “Breaking News” item about them.

What actually happens then? Is there any follow-up? Is anybody taken into custody at all? Are the perpetrators made to pay for their crime? If so, to what extent?

Talking about extent, brings me to another point. Now I’m not a lawyer but I think one of the common points often raised in a case is that the punishment should fit the crime. This is especially used by the defence counsel to try to get the accused off as lightly as possible, even if he or she has been found guilty. Sort of damage mitigation, if you will.

In India, this works wonders for the defence because it is in Indian nature – and this has been translated into law – that except for the most heinous of crimes, a lot of punishment is actually much like a rap on the knuckles. So the criminals continue to roam the streets at large, sharing public space with the law-abiding citizen. And then we wonder why the number of crimes is increasing every day and why the police force is stretched!

Even this rap on the knuckles is of course based on a big assumption that the criminal, now the accused, is actually found guilty.

And this is based on a bigger assumption that legal proceedings will happen at all, instead of the case papers gathering dust in some chamber.

And this is based on an even bigger assumption that the criminal will be  brought into the justice system at all. Most of these law-breakers just have a laugh as they are comfortable in the knowledge that their power and influence will ensure nobody dares touch them.

So THIS is the country the law-abiding citizen has to live in. Day in and day out he has to live in the hope that his path does not cross that of one of these criminals. Because he knows he cannot depend on the system to help him. He knows the David-Goliath story is only biblical, it does not happen in real life. At least not in India.

Over the last two decades, India has made giant strides in its economic development. Today it occupies a seat next to the biggest powers in the world at the G20 and other such global meets. More and more Indian corporates are now global players. Some of the richest men on earth now are from India.

Yes, that is one side of the India success story. And it cannot be denied that this success has put more money into the hands of Indians of all strata of society.

But has this translated into more safety for the ordinary citizen? I am not sure. If anything, the “aspirational” Indian seems to very easily slip into becoming an “ugly” Indian, for whom the ends need to be achieved any which way. When we are talking hundreds of millions of “aspirational” Indians, there is easily a critical mass for concern here.

The administration is sadly not geared to cope with this. Like in other areas of infrastructure deficit, the police force is inadequate – in every sense. From its numbers, to technology solutions, to training, to even intent. As has been discussed above, the confidence that the common man can have on the legal and judicial infrastructure to provide him justice when taking on criminals is a four-letter word, starting with “z” and ending with “o”.

Safety of the citizen is a basic, fundamental right in any country. Maybe we should take the safety of our people just a little bit more seriously and remind the government of the day, every single day, about its deficit in this area. After all we do talk about “fiscal deficit” very often, we talk about “economic growth” every single day. Then why not “safety” – especially when rapes are happening every single day, not to mention murders?

Don’t get me wrong. Economic growth is important too – this is not a zero-sum game. We need economic growth AND we need safety of our citizens AND we need solutions to other infrastructure deficits.

It is just that we seem to talk so much about economic growth, about the state of our roads, about our education system – all this suggesting an underlying premise that we lead a day-to-day safe life, doing whatever we do on a daily basis.

Well, maybe some of us do. But many of us – and this is a number that probably goes into hundreds of millions - don’t.

This is for, and on behalf of, those who don’t. PLEASE do something for them. PLEASE sensitise and modernise the police force, PLEASE make sure criminals are not allowed to walk the same streets as the law-abiding citizen, going about his daily life. 


Surely this isn't too much to ask for? It says a lot about the situation we are in, that we are now being made to implore our administration for what should be our basic, fundamental right.


Also, increasingly the only thing that seems to make people act nowadays is media attention to an issue - so my request is also very much to the media to be an active pressure group to improve law and order in the country. Yes, there are soap operas playing out everyday in the political landscape of the country but I would expect the media, as the fourth estate, to rise above these political saas-bahu equivalents and use their power and influence to bring about social change too.


So please let's re-jig our priorities a bit. Yes, it's great to talk about the growth in GDP. But the people of this country need to first live in safety before they can enjoy education, roads and all those other beautiful things that economic growth brings with it.

Being a Rahul Dravid fan!

Somebody help me. I’ve just realised (I know, very late!) that I’m never going to see Rahul Dravid on a cricket field again, playing for India. All these glowing tributes that I’ve been reading the last couple of days have been trying to tell me just that – but I’ve been in denial. Till this moment.

Don’t give me all that “it had to happen sometime” logic. If it’s supposed to ease the pain, it’s doing a pretty lousy job of it. I KNOW it had to happen sometime. But why couldn’t it happen when Dravid is in his, say, 90s? It’s not like that is unfamiliar territory for him.

And don’t give me this “the old order changeth” Tennyson stuff. When he (Dravid, I mean, not Tennyson) was the only guy in the team getting those runs in England last year, did he look old? And now suddenly he’s old?

And yes, I’m being selfish. Dravid may be a very unselfish guy, but I’m sorry, I’m not. Well, in many things I am, but in this matter, I put my foot down. I really don’t care if there’s a youngster waiting out there. He can replace any other player, not Rahul Dravid. Didn’t Sachin himself say that Dravid is irreplaceable? So there!

Tell me, what would you rather see in a Test match? Dravid walking out there to bat at No.3 for India? Or a ? (And don’t be sly and fill your own name!).

This is not about other players, I wish them all the very best in their careers. This is about Dravid, and Dravid alone. Surely he can’t betray all of us like this, can he? Case of “dil ke tukde tukde kar ke, muskuraate chal diye”. My question then to you, Rahul, is “jaate jaate ye to bataa ja, hum jiyenge kiske liye”?

Can’t we do something about this? We can’t even bribe the guy to stay because I’m sure he won’t accept bribes. Can’t we land up at Jantar Mantar or Azad Maidan and kick off a “Dravid, thou shalt not retire” protest? Surely he cares enough about his fans to reconsider his decision? Or maybe, knowing him, we should change the text to “Dravid, the Indian team needs you”. After all, he’s always done ANYTHING for the Indian team.

If he’s worried about not spending enough time with his boys or wife, all that can be arranged. We will make sure the BCCI revises its Test match calendar to suit whatever Rahul wants. He gets to pick the dates – you think that will make him change his mind?

He wants another tour of Australia to make amends for the last one? We can arrange that too. The BCCI will just have to figure out how. If they can arrange an ad hoc T20 in South Africa out of the blue, they can arrange another Test series Down Under. We’ll make them do that!

Or, maybe, just maybe, I’m having a bad dream here.

I’m going to open my eyes now, veeerrry sloooowly – and it’s all going to be perfectly fine. It was just a really baaaad dream!!!

Ok, eyes open now.

NAHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIN!!!!!!!!!!!!!!!!!

:(((((((((((

Ok, Rahul, I’ve moved on from denial to acceptance.

It doesn’t mean I’m happy, but I’m accepting the situation.

It doesn’t mean I’m not going to switch off the TV when the first Indian wicket falls, but I’m accepting the situation.

It doesn’t mean I’m completely rejecting that Jantar Mantar protest idea but I’m accepting the situation.

I survived Vishwanath-1983. I survived Gavaskar-1987. I was much younger then, I was made of sterner stuff, the heart wasn’t that mellow, Test cricket still had flag-bearers – I tell you it’s going to be a lot more difficult this time round.

But I cannot be thinking only about myself. What sort of Dravid fan would I be if even a little bit of your unselfishness has not rubbed off on me? You’ve given me so much for so long – and still I crave for more? That may be human nature but it’s not Rahul Dravid’s nature.

So, I will just say - thank you for everything, Rahul. You brought many moments of happiness to millions of us, you brought hope to us in many situations of despair. One can learn a lot from you – about professionalism, hard work, humility, team spirit. You are a role-model for many – and deservedly so.  

Wish you a lot of success in your future, Rahul! You deserve nothing but the very best in your life!

Valentine's Day - Ten romantic songs from Hindi films

For someone who’s pretty crazy about old Hindi film songs, I’ve never posted a list here on any theme. I’ve only ever posted random songs as and when I felt like discussing them. And even these have been very occasional postings.

But I do read a few film blogs and they often have these “lists” – songs of a particular music director, songs in village fairs, songs in horse-driven carriages, and so on. I’ve always enjoyed these “list” posts – and added my bit in the comments sections of these blogs.

Today I felt like putting out a list of my own out there.And much like others place constraints on their lists, I have placed some on mine too. I find it more fun to make a list under constraints – while it might make the job more difficult on one hand, it actually helps in the song elimination process on the other.

My list is a list of soft, soulful, romantic songs where a male character is talking about, or talking to, a female character, describing her beauty and/or how much he loves her. In other words, something I know nothing about. ;-)

I know it sounds complicated, but I needed to do this to narrow down the type of song I'm considering here. Romantic songs come a dime a dozen in Hindi films, so I had to define some boundaries around them upfront. This means a song like “ehsaan tera hoga mujh par” (Junglee) does NOT make the cut. In fact, no “sad” song makes the cut.

Again, what’s soft, soulful and romantic can be a matter of debate. I used a simple rule for myself – would this be a song I’d consider singing to my love in my attempt to win her over? (Ok, ok, I know that ship sailed a long time ago ;-) but hey, this is just a lab experiment. J). If yes, then it qualifies to be considered.

Poetry has always been an integral part of my love for Hindi songs, so the songs I’ve picked had to be pretty high on the lyrics content. They didn’t need to use fancy Urdu words (which, btw, I absolutely love) but they needed to have something interesting in their lyrics. They needed to "talk" to me. I do recognize though that this is another subjective demand I’ve placed on my list.

Now, the clear-cut, indisputable constraints.

I’m limiting my list to one song per singer. That’s a massive tying of hands when you consider the number, and quality, of songs that get excluded just because ONE Kishore or Rafi song got picked. But that’s life. Ok, it isn’t but if life’s a bitch, so’s my list.

To add to the fun, I’ve decided to limit it to ONE song per music director. Much like the above singer restriction, that puts many beautiful songs out there in the cold (and my heart breaks at the thought) but I’m steeling myself.

I must be some sort of masochist because I wasn’t even satisfied with this level of tying of hands. I decided I'd restrict my songs to one-song-per-actor. So, Rajesh Khanna, for all his plethora of romantic songs, has no bigger bite at the apple than, say, a Raj Babbar.

And guess what? To make it even more interesting (or restrictive), I thought I’d limit it to one song per actress. So even favourites like Waheeda and Nutan are not favourites as far as this list is concerned.

Finally I added just one more restriction. Not that I have anything against female singers, but this would be an all-male list. If only because of the theme – it is the male praising the female, so even if the female so much as utters one word, the song is disqualified. Also, it would be a male solo, so duets like “huzoor is qadar bhi na ithra ke chaliye” are not allowed.

That’s it. I could have thought up a few more restrictions on myself but I thought this is a decent set to start with. To summarise:

1.       Soft, soulful, romantic song where the male character is describing the female character’s beauty or telling her how much he loves her

2.       High on quality of lyrics (subjective call, of course)

3.       One song per singer

4.       One song per music director

5.       One song per actor

6.       One song per actress

7.       Only male solos

I have also chosen to stay with a standard restriction that most impose on their lists – one song per film. With the thousands of films out there, it seems extremely unfair if one film were to grab more than one slot in a ten-song list.

The restrictions I have NOT imposed on myself (and I’ve seen on other lists) are (a) that I should have seen the movie and (b) period boundaries. My songs cover every decade from the 1950s to the 1990s.

I will admit, not much thought has gone into this list. In fact, this list is a result of my having a comfortable seat in a near-empty AC bus today enroute to another part of town. I had a piece of paper – and a pen – with me. Since it was Valentine’s Day, my thoughts meandered in the direction of romantic songs. One thing led to another, and soon I had ten songs on my list, satisfying these conditions. (The main reason there's no restriction of "one song per lyricist" is, on the bus journey I was very confident of singer/actor/actress/music composer but not so sure about the lyricist for each song. And I got my list pretty much ready on the bus journey itself).

Please let me know what you think of the list. And of course, your own suggestions are most welcome. For many songs, I could myself think of alternatives – but the constraints helped in the selection/elimination process.

Ok, that was a LONG build-up, but let’s now get down to the business end of this post. The songs are in chronological order.

1) Ye hawa ye raat ye chandni (Sangdil - 1952). Talat Mahmood’s voice, Rajinder Krishan’s lyrics, Sajjad Hussain’s composition. Song picturised on Dilip Kumar, for Madhubala.

Talat Mahmood, in his silken voice, has sung many a melodious number but this is one that I fell madly in love with the very first time I heard it. I think the lyrics were what bowled me over rightaway – “tujhe kya khabar hai o bekhabar, teri ek nazar mein hai kya asar, jo ghazab mein aaye to keher hai, jo ho meherbaan wo qaraar hai, mujhe kyon na ho teri aarzoo, teri justaju mein bahaar hai”. Considering it’s for Madhubala, I think the lyrics probably come quite naturally. ;-)

2) Ae mere pyare watan (Kabuliwala - 1961). Manna Dey’s voice, Prem Dhawan’s lyrics, Salil Chaudhary’s composition. Song picturised on Balraj Sahni, Wazir Mohd Khan (thank you, Arunkumar Deshmukhji for the correction) for his country.

Ok, here the song is not being sung to a female character as such, it is being sung to and about a person's homeland. This is a song I really , really, REALLY, love. It is soft, it is soulful, it is romantic (in the sense of a person’s love for his country), it has lovely lyrics, it has everything. So when I was thinking of a Manna Dey song, this immediately came to mind. And however hard I tried to think of another one (I did think of “kaun aaya” (Dekh Kabira Roya) and “ae meri zohra jabeen” (Waqt) but this Kabuliwala song beats them, in my opinion. When I listen to “sab se pyaari subah teri, sab se rangeen teri shaam, tujh pe dil qurbaan” (and the way Manna Dey has sung this) its effect on me cannot be described. Just to clarify, this song isn't being sung for India, it's being sung for his home country, Afghanistan. Actually it doesn't matter - at a generic level, it's a song of love for one's country. 

So maybe I’m cheating a bit here (and please feel free to find me another Manna Dey song that could replace this one) but I’m sticking with this for now.

(EDIT:  One of my friends, Ava, has come up with a Manna Dey romantic song that satisfies all my criteria. Not only is it is a lovely song, it is also more in line with the theme of this post than the song I picked above. I am therefore including it in this blogpost as an additional song (not removing "aye mere pyar vatan" - don't have the heart to!). The fact that Madan Mohan is the composer of this song delights me - I don't need to feel that guilt anymore for not finding a slot for him earlier. (I really wanted to have "main nigaahen tere chehre se" in here but my own rules worked against me on that one)).

Here's Ava's proposal slotted here as 2a). Thanks Ava.
2a)   Har taraf ab yehi afsaane hain (Hindustan Ki Kasam - 1973). Manna Dey's voice, Kaifi Azmi's lyrics, Madan Mohan's music. Song picturised on Raj Kumar, for Priya Rajvansh).

3) Tum agar mujhko na chaaho to koi baat nahin (Dil Hi To Hai - 1963). Mukesh’s voice, Sahir’s lyrics, Roshan’s music. Song picturised on Raj Kapoor, for Nutan.

This is a song I used to like a lot before I saw the movie. And then, I really fell in love with it. Before I saw the movie I had imagined this to be a serious, sad song where the hero is venting out his frustration at his failed love – the lyrics would suggest as much. But I discovered I was completely wrong – it is a light-hearted song, sung early in the movie at Nutan’s birthday party (at least I think it was her birthday party). Raj Kapoor has only recently met Nutan and he is flirting with her. And she is responding in her inimitable style.  

Ah, Nutan! This was the movie which made me fall madly in love with her (this, and Tere Ghar Ke Saamne and Paying Guest, all of which I saw within a week of each other). I SO love Nutan when she is not in her “mera pati mera devta hai” roles – and she is lovely in this film. I cannot have a romantic songs list without a Nutan number in it, so this is it. And can I see myself singing this song? Sure I can! Now to find a Nutan to sing it to. ;-) Or a Madhubala or Waheeda. ;-) 

4) Ye nayan darey darey (Kohraa - 1964). Hemant Kumar’s voice, Kaifi Azmi’s lyrics, Hemant Kumar’s own composition.  Song picturised on Biswajeet, for Waheeda Rehman.

This is another song that I consider very high on the soft, romantic scale – and even Biswajeet cannot spoil it for me. :-)  I was toying between this and “zara nazron se keh do ji” (Bees Saal Baad) but I thought Waheeda  Rehman is better picturised here, so this song won it. 

In fact, though this list is an all-male list, since the object of affection is female, she does play a role in influencing my choice of song.  The very presence of Waheeda is good enough reason for me to pick a song. Or a movie.

5) Tum agar saath dene ka waada karo (Humraaz - 1967). Mahendra Kapoor’s voice, Sahir’s lyrics, Ravi’s music. Song picturised on Sunil Dutt, for Vimi.

Between them, Humraaz and Gumraah have a whole host of soulful, romantic songs penned by Sahir 

Ludhianvi. Amongst them, this song perfectly fits my requirements – I love the lyrics in this song. “Main akela bahut der chalta raha, ab safar zindagani ka kat-ta nahin” has such a “real” sense about it! And no, it's NOT autobiographical. ;-) And then the praise “maine khwabon mein barson taraasha jise, tum wohi sangemarmar ki tasveer ho, tum na samjho tumhaara muqaddar hoon main, main samajhta hoon tum meri taqdeer ho”. Sahir’s always been right up there for me as a lyricist – and he absolutely nails it here for me. Very soulfully rendered by Mahendra Kapoor, I might add.

6) Ye jo chilman hai (Mehboob Ki Mehndi – 1971). Mohammad Rafi’s voice, Anand Bakshi’s lyrics, Laxmikant-Pyarelal’s music. Song picturised on Rajesh Khanna, for Leena Chandavarkar.

Some may be surprised that I picked this as my Rajesh Khanna romantic song pick. But I love, love, love everything about this song – and while it also means no other Rafi saab song gets picked, I just could not bring myself NOT to pick this one. Look at it – it’s just perfect. Rajesh Khanna is at his buttoned-kurta best, his mannerisms are just about right, not OTT (those were still early days for him), Leena Chandavarkar is oh-so-sweet, the typically Muslim setting is just beautiful – and the lovely lyrics by Anand Bakshi are beautifully given shape by LP. What’s not to love?

So move aside “o mere dil ke chain”, this one deserves its place in the sun. It’s been behind a chilman of its own for way too long.

7) Pal pal dil ke paas (Blackmail – 1973). Kishore Kumar’s voice, Rajinder Krishan’s lyrics, Kalyanji-Anandji’s music. Song picturised on Dharmendra, for Raakhee.

I think I might just have escaped the censure that was awaiting me all this while for being more than halfway down my list and not coming up with this one. For this is for many THE most iconic romantic song of them all. And I’m not putting this up here just to conform (heaven knows I’m no conformist!) – I really, really love this song. I know I say this about every song but I can’t help it.

This song has everything I’m looking for – soft, soulful lyrics, wonderfully composed by K-A and sung as only Kishore Kumar could. I’ve sung this song a million times – this is my favourite travel-cum-loneliness song, I tend to sing it A LOT. Years ago, when I would return from work by local train in Mumbai (Bombay) at the late hours of 1.30 or 2.00 a.m, this song would give me company. Everything about it is just perfect!

8) Tu is tarah se meri zindagi (Aap To Aise Na The – 1980). Manhar Udhas’ voice, Nida Fazli’s lyrics, Usha Khanna’s music. Song picturised on Raj Babbar, for Ranjeeta Kaur.

I remember that by the time 1980 came around, Hindi movies had begun to take a different path altogether. Those were the days of big-budget multi-starrers. Or Amitabh Bachchan towering over all others. Or South Indian producers coming back into Hindi films on the back of Jeetendra and Rekha.  Or it was disco. In all this, there was the occasional song – which had none of these frills - that stood out  purely on the strength of its melody.

One such song was “Tu is tarah”. The first time I heard it, I could not recognize the voice (Manhar). All I knew was that I fell madly in love with it. (Yes, I do tend to fall madly in love with a lot of things quite often J). It was a reasonably popular song (and had three versions of it), so it would play on radio quite often. Those were the days before the internet, so you couldn’t just google or youtube it. I used to wait to listen to this song.

As with all my other songs here, the lyrics of this song are just beautiful. I can listen to this song again and again (yes, I’ve listened to this too a million times) and never get bored. In a list of soulful, romantic songs, this song can proudly claim its place in my top-10 list.

9) Chhupaana bhi nahin aata (Baazigar – 1993). Vinod Rathod’s voice, Rani Malik’s lyrics, Anu Malik’s music. Though the song is sung by Vinod Rathod, it's effectively picturised on Siddharth, for Kajol.

This song might come as a surprise for many, but in a film with superhit songs, this is the one which is most often forgotten. I have always liked this song and I think it deserves to be better-known. And since I did not set any period constraints for my list – and this song satisfies all my required criteria – I have no qualms throwing it in here. 

The lyrics are actually quite good to listen to – I remember they impressed me quite a bit when I first heard the song. “Hatheli pe tumhaara naam, likhte hain mitaate hain, tum hi se pyar karte hain, tum hi se hi kyon chhupaate hain”. The travails of a guy unable to confess his love to the girl he loves. Been there, done that. (No, just kidding! ;-)). Writing on hatheli (palm) and all that. Sheesh! :-) Nice lyrics though.

(I find sites where this song is attributed to Pankaj Udhas whereas I always thought this was sung by Vinod Rathod. And not just in the film but also playback. Can somebody please clarify the situation? Maybe the Pankaj Udhas version was a non-film version?)

10) Hoshwaalon ko khabar (Sarfarosh - 1999). Jagjit Singh’s voice, Nida Fazli’s lyrics, Jatin-Lalit’s music. Picturised on Aamir Khan, for Sonali Bendre.

Another song from the 1990s that stands out in a decade known more for catchy music than lilting, romantic melodies. But when you get Jagjit Singh, you know you are going to get sanity in the midst of any insanity that’s happening all around him. This is a delightful romantic number, with fun picturisation on a playful Aamir Khan and Sonali Bendre. I never tire of watching it  – and since it meets all my criteria - I thought it brings up very nicely the end of my list. Am very happy to have Jagjit Singh on my list – somehow a list of supposedly “soulful” songs without a Jagjit number in it doesn’t quite seem right.

So how did you like my list? I thoroughly enjoyed making it – though I must admit there were times when I wished I’d relax my rules just a little bit. (Not having “khilte hain gul yahaan” or "jeevan se bhari teri aankhen" because Kishore was already “taken”, for example. Or "main nigaahen" because Rafi was "taken".) And it seems like sacrilege to not have even one song of Naushad, SD Burman, Shankar Jaikishen, Madan Mohan, OP Nayyar or RD Burman. But that’s how it turned out for me and, all things considered, I’m glad I didn’t break the rules – and yet managed to come up with ten songs that I’m quite happy with.

Let me know what songs you’d have liked to have in your list. Of course my constraints don’t apply to you, so feel free to enrich this post with your suggestions.

Open Letter to Shri Anna Hazare

Dear Annaji,

I am writing this letter to you in the hope that you will take the trouble to read it, deliberate on it with your team and find some value from it. This is about the anti-corruption movement that you are leading in the country today.

At the outset, I would like to inform you that I am not a politician, I am not a lawyer, I am not a social activist, I am not a mediaperson, I am not affiliated to any business - I have no interest whatsoever other than in the capacity of a common man of India (aam aadmi) in writing this.

Having said that, I have been following your anti-corruption movement from April this year when you went on your fast at the Jantar Mantar in Delhi. I have also been following ever since, on a daily basis, the various developments on this topic through various media (print, TV, internet). I was also one of the attendees at the meet arranged by India Against Corruption (IAC) at Bangalore in June this year.

I therefore feel invested enough to write this letter to you with my views and some suggestions.

First of all, I’d like to say that there is hardly anybody in India who does not agree with you that corruption is rampant (and that’s an under-statement) in our society. As you and others in your team have repeatedly said, corruption exists at all levels in the country. To get a birth or death certificate or passport or driving licence, you need to bribe somebody. And, at the highest levels of the government, corruption is being unearthed regularly. We are all aware of the various scams like CWG, 2G and the Adarsh Housing Society scam that have come to public knowledge recently. So your point on this is indisputable and well-taken.

Secondly, I totally agree with you when you say that one of the major reasons for corruption in our society is that our current laws do not have adequate deterrents to check corruption and punish the wrong-doers.

Thirdly, you are right in saying that our existing institutions have often been found wanting in addressing corruption matters. We have a justice system that seems to be painfully slow (and sometimes not entirely independent) in meting out justice. We have institutions like the CBI and the CVC which seem to have either limited powers or questionable independence. Why, we even have Parliament where our elected representatives are supposed to act in the interests of their constituents but have often been found to misuse their powers for personal gain. So I think it is fair to say that our institutions have not quite delivered to their brief.

All of this is true and I totally agree with you on these observations.

I would like to now share with you some of my own thoughts on this corruption subject.

In my humble opinion, there are several ways to address this scourge of our society.

One way of course is the Lokpal approach. If we have a Lokpal, an effective Lokpal, with Lokayuktas in various states, the common man can approach this institution with his grievances and hope for redressal. The Jan Lokpal Bill that you have been espousing so strongly and passionately for so many months now is geared towards the setting up of this institution.  You and your team have been working day and night to ensure the Bill contains all the provisions and safeguards for an effective Lokpal institution. I will not debate this – all I will say is that it is an option to fight corruption, yes. One option.

I would also like us to consider other options. Our objective is one and the same – both of us want to fight corruption. It is just that there need not be only the Lokpal way.

I know there is history behind this Lokpal subject. The country has been trying to get a Lokpal Bill passed for over 40 years now as its instrument to combat corruption. But that, in itself, is no reason to continue to pursue ONLY on this path. As long as our objective of fighting corruption is achieved – by legal and viable means – we should not need to quibble over whether it was done via a Lokpal or through another method.

Let me give you an analogy. It may not be completely comparable to the Lokpal subject but I hope it helps to understand what I am trying to get at.

Till 15 years ago, connectivity via telecommunication in India was limited to only a few who could afford landlines. The rest of the country had to use public booths , if they were available, or go without telecommunication connectivity at all. Today, thanks to explosion in telecommunications technology,  almost everybody seems to be connected. We did not invest in more landline production to scale to our needs (though we could have technically done so), we just exploited mobile technology that had arrived. Our objective was telecommunication for all, not a landline phone for all.

Similarly, I would think the objective here for all of us is to find a solution against corruption, NOT the creation of a Lokpal. They are two different things and we need to understand this.

Now if we ARE considering alternatives, I would like to take the following approach. This is not, by any means an exhaustive list of steps we could take. It is only indicative of an approach I would like to consider.

Strengthen our existing laws: We already have a Prevention of Corruption Act. I am not competent to comment on its provisions but if it lacks enough teeth, let us push for change in this piece of legislation and make sure it has teeth. Similarly if we have other laws that have loopholes that encourage corruption or do not have strict enough provisions to deter corruption, let us push for change in these. If any of this requires a constitutional amendment, so be it.

Strengthen our existing institutions: Through electoral reforms, let us work on ensuring accountability in our elected representatives in Parliament. Through judicial reforms, let us work on improving accountability and transparency in our justice system. If we feel bodies like the CBI and the CVC lack independence or powers, let us work on the necessary changes required to give them these.

Exploit technology to create transparency and ensure faster and direct delivery of services: In this day and age, a lot can be achieved through smart use of technology to replace inefficient and outdated practices and completely redesign new systems and ways of doing things. For example, the UID (Aadhar) project is one which could considerably improve transparency of our social benefits system and help plug leakages in it.  There are other areas too where technology could make life easier for the aam aadmi and eliminate middlemen (read, reduce corruption).

Improve transparency in land and other natural resource ownership patterns: I believe a large part of corruption (and black money) in the country stems from land-related dealings. A lot of land / property is held in benami ownership,  ownership and valuations are not transparent, most of our court cases are property-related, I can go on and on. So, if we want a quick win in our fight against corruption, it would make sense to make this a high priority area to streamline and completely make transparent.

Like I said, this is not an exhaustive list. We can add to this. But I do believe that if we even do just the above (which is a lot and is going to take time and effort), we will see a significant reduction in corruption in our country. And this would be without the creation of a Lokpal. It would only be with the use of, and strengthening, our current infrastructure. And building progressive infrastructure for the future which would be systemic and not human-dependent.

I know the Lokpal debate has been raging for a long time now and is now in its advanced stages, virtually on the verge of approval by both Houses of Parliament. It would appear that this letter is being written after the ship has sailed (or the horse has bolted the stable, whichever metaphor you prefer). Maybe this is true - but as long as the Lokpal is not officially there and functioning, I have hope that other alternatives can also be considered.  Yes, it would mean a lot of energy and effort of the last eight months for the Jan Lokpal Bill would seem to have been for nothing but for something as structural and long-lasting in its impact as this, what is eight months?

I would also like to add that, should you consider the alternative approach and decide to withdraw the demand for a Lokpal, it should most certainly not be seen as a failure of any sort for you or your team. You have already achieved a lot in terms of raising awareness amongst a traditionally indifferent Indian public and that is an achievement in itself. This is not about winning or losing, it is about doing what seems to make most sense.

Thank you for your time and patience in reading this.

With warm regards and wishing you the best of health,

Ra-One ka maheena

Ra.One is apparently a Diwali release (still a week to go!) but the relentless bombardment of promos and interviews this month on every TV channel (except possibly Doordarshan) has got to me!

I've always considered myself a Shahrukh fan, I've rooted for his Kolkata Knight Riders (KKR) IPL team for him alone.

But there's only so much I can take. I do not know what Shahrukh is expecting to achieve with this repetitive numbing of his TV audiences but I will not be surprised if I'm not the only one feeling a sort of repulsion towards this movie now. A sort of backlash triggered by this sustained attack on my senses.

I would perhaps not have minded so much if the film promotion had dominated the entertainment channels alone. Zoom, UTV Stars, MTV et al. But when I find the news channels blaring Ra.One when I'd rather see them discussing Telangana or Occupy Wall Street, I don't take too kindly to this intrusion in my TV watching experience.

This also happens to be protest season. Not just in India but all over the world.

So I decided to compiled my own form of protest about Ra.One. Not that anybody cares but it feels good to be able to get this out of my system in this non-violent manner. The other option would have been to ram my fist into my TV - but then only I would have been the loser.

Now can somebody please get this over to Shah Rukh Khan? It is in good humour and is only my way of saying "aur nahin bas aur nahin, Ra-One ke chhaaley aur nahin".

Here goes:

Ra-One ka maheena
Har channel karey sor
Jiyara re lagey hai aise
Naatak hai ye koi ghor

Shahrukh ghajab dhaaye
Bhale hi mere bhaiya
Chaahe wo kharcha kare
Lakhon hi rupaiya
Dekha jaaye naahi
Phillum ye laage bore
Jiyara re lagey hai aise
Naatak hai ye koi ghor

Shahrukh karey joron se
Humko ishaara
Naahin phansenge bhaiya
Binti karey bechaara
Marzi hai hamaari
Karta jaaye wo sor
Samjha kaa hai sasuraa
Saha jaaye na ye aur!!!